Artist bio

Leah Glenn received her Master of Fine Arts degree in Dance Choreographic Theory and Production from Southern Methodist University as well as her Teacher's Certification in Labanotation from Ohio State University and her Bachelor of Arts degree in Dance and Management from Goucher College. Ms. Glenn has also received extensive training from Jacob's Pillow, the Chautauqua Institute and has worked with the Philadelphia Dance Company where she trained with Milton Meyers and Denise Jefferson. Prior to teaching at William and Mary Ms. Glenn was Assistant Professor and Head of Dance at Hampton University for two years. While at Hampton, she directed the Terpsichorean Dance Company and established the first African American chapter of the National Dance Association's Nu Delta Alpha Honor Society. Her choreography has been presented by William & Mary, Hampton University, the Maryland School of Ballet and Modern Dance and Colonial Williamsburg. Her reconstructions of Pearl Primus’ Bushasche Etude, the Parsons Etude, the Limon Etude, Anna Sokolow's Rooms Etude and Donald McKayle's Rainbow Etude have been presented by William and Mary. She has also reconstructed the Rainbow Etude at Southern Methodist University, Old Dominion University and Hampton University. Her most recent collaboration was a reconstruction with Paul Taylor Dance Company member, Parisa Khobdeh on Taylor’s work entitled, The Word. In addition to her original work and historical reconstructions, Glenn also co-choreographed Journey of Destiny, the retelling of the settlement of Jamestown, which was part of the Jamestown 400th Anniversary Celebration. Several of her most recent works have been presented at the annual International Association for Blacks in Dance Conferences. Her company, Leah Glenn Dance Theatre, has presented concerts at the Katzen Museum, Dance Place and on the Millennium Stage of the Kennedy Center for Performing Arts. LGDT’s most recent performance was the closing event for the ASWAD (Association for the Study of Worldwide African Diaspora) Conference at the Virginia Museum of Fine Arts on November 9, 2019. In addition to her role as Founder and Artistic Director of Leah Glenn Dance Theatre (LGDT), Glenn was recently promoted to Full Professor of Dance at William & Mary. Leah Glenn Dance Theatre is dedicated to cultivating a greater understanding of the world in which we live through thought-provoking works of art that entertain, inspire and challenge its audiences. Glenn’s choreography consists of a range of both abstract and narrative dances. They are physical manifestations of the emotional terrain that lies beneath a variety of social and political themes and inspired by historical figures as well as the beauty and simplicity of the everyday. She strives to provide quality dance experiences that encourage the exploration and discussion of who we are individually and collectively. The company is currently made up of twelve members, some of whom have performed with the company since its inaugural performance in 2013.

Title

Letter to the Editor

Medium/Genre

Dance - Modern

Artist Statement

Letter to the Editor is one of a series of dances that I have choreographed that are inspired by the Civil Rights Movement. More specifically this work is inspired by an editorial written by my father in the early 1970’s regarding one of many racially charged incidents that he experienced as the head of one of five African American families living in Manchester, Connecticut. My father and the other African American families in our community were committed to diversifying the public school system, police and fire departments. They worked tirelessly to find qualified (often over-qualified) candidates of color interested in obtaining jobs as teachers, fire fighters and police officers and faced a great deal of resistance from members of the community who were not interested in matters of diversity , equity and inclusion. This four-minute solo performed to my father’s recitation of his editorial, explores the emotional terrain that accompanied this experience. This piece premiered via Zoom in August 2020 and will be performed live on May 27, 2022 at the Carver Community Cultural Center in San Antonio, Texas. Additional 2020 performances of this piece are scheduled on June 4 at Dogtown Dance Theatre in Richmond, Virginia and July 2 at CPRD Theater in Denver, Colorado.

How it fits into contest

The title of my father’s editorial is Morally Right. In his letter he wrote the following:

To the Editor:
Recently my character, integrity and manhood were attacked in your newspaper. I am a Christian and believe strongly in Christian principles, particularly the teaching of Christ that emphasizes loving thy neighbor as thyself. Therefore, instead of responding publicly to my critics as desired, I have chosen to privately pray that my Christian faith will be strengthened so that I can continue to love them.
The black movement in Manchester is far greater than any one person. Even if one or two persons were successful in discrediting me or any other black in town, the struggle to make Manchester an equal opportunity employer and open to full participation by all of its residents will continue. The previous statement in confirmed by the fact that the black community is well organized, has strong leadership, and has already demonstrated that it is a viable force to be reckoned with when deciding pertinent issues in town.
During the last four days, I have received numerous telephone calls from black and white town residents, all of them expressing support and advising me not to respond publicly to the emotional and irrational behavior of a few individuals. I expected to receive the calls obtained from blacks. However, it was most gratifying to have so many white residents contact me expressing support and encouraging me to continue my effort in working with town officials to make Manchester the town that it is capable of being. These expressions of support have not only lifted my spirits but convinced me that we are morally right in what we are striving for. I truly believe that my God is able, and we shall overcome.

-Frank J Smith

My father was open about his struggle to reconcile his disappointment in the behavior of individuals who openly threatened him for his work related to issues of equity, inclusion and diversity in our community. It was and is the armor of God that protects him. It is his faith in God that gives him the strength to push through and do what he is called to do. His words and emotional terrain manifest themselves in my choreography as visceral movement that is reminiscent of what I perceived and experienced as a child who looked up to her father. I focus on both the everyday and extraordinary acts in an effort to exhibit the fullness of his humanity. Letter to the Editor emphasizes the importance of this genuine respect and love for humanity. It endeavors to combine the unique with the universal, inviting audiences to identify their own experiences as well as appreciate a story that may be different from their own. It is my hope that this piece challenges viewers to envision a world in which people more consistently understate the individual, the independent and the autonomous and choose to illuminate all the ways in which we can share, complement and cooperate with each other.

Credits

"Letter to the Editor" is dedicated to my father, Frank Smith, who has instilled in me the importance of a life rooted in faith. He has taught me through his actions and words that the fullness of one’s faith journey lies in the everyday engagement of Christ and care for community. I also have a tremendous amount of respect and appreciation for Christopher Page Sanders, the dancer who performed this work. I thoroughly enjoyed listening in on his conversations with my father and the way in which these interactions manifested themselves throughout my creative process.

How to Purchase this Artwork

For booking information please contact agent, Jane Rabinovitz at jane@jrartsmanagement.com.

Other Goods & Services Available from this Artist

N/A

Music / Sound Sources

I have included the editorial text above.

Transcript / Lyrics

Recently my character, integrity and manhood were attacked in your newspaper. I am a Christian and believe strongly in Christian principles, particularly the teaching of Christ that emphasizes loving thy neighbor as thyself. Therefore, instead of responding publicly to my critics as desired, I have chosen to privately pray that my Christian faith will be strengthened so that I can continue to love them.
The black movement in Manchester is far greater than any one person. Even if one or two persons were successful in discrediting me or any other black in town, the struggle to make Manchester an equal opportunity employer and open to full participation by all of its residents will continue. The previous statement in confirmed by the fact that the black community is well organized, has strong leadership, and has already demonstrated that it is a viable force to be reckoned with when deciding pertinent issues in town.
During the last four days, I have received numerous telephone calls from black and white town residents, all of them expressing support and advising me not to respond publicly to the emotional and irrational behavior of a few individuals. I expected to receive the calls obtained from blacks. However, it was most gratifying to have so many white residents contact me expressing support and encouraging me to continue my effort in working with town officials to make Manchester the town that it is capable of being. These expressions of support have not only lifted my spirits but convinced me that we are morally right in what we are striving for. I truly believe that my God is able, and we shall overcome.

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