Artist bio

Oluseyi Soyege was born in 1968 in Lagos, Nigeria. He graduated from Yaba College of Technology, and worked in Lagos as a multi-media artist, exploring the sensual nature of art, with a focus on color, texture, and symbolism. Soyege's work explores themes of sustainability, the beauty of imperfection, and the interplay between humanity and the natural environment. He uses wood to create, embracing both its solid nature, and its ability to take delicate details. Soyege is also known for creating intricate textile collages, that incorporate vibrant colors and patterns, often using fabric from his native country of Nigeria. Acrylic paint adds vibrant hues and additional texture, enhancing the overall composition. The use of metal scraps lends an element of rawness and industrial strength, providing a stark contrast to the soft. These compositions frequently include dynamic, sweeping brushstrokes of acrylic paint or black ink on canvas; conveying a controlled but dynamic sense of movement characteristic of Soyege's works. For him, new synergies are generated from both traditional and modern structures, and mistakes or accidents often turn out to be fortuitous and usually remain as part of the work.

Title

Two becoming one

Medium/Genre

Mixed Media

Artist Statement

Artist Statement:

As an artist, I am deeply committed to exploring the intersections of sustainability, transformation, and the stories embedded in the materials we often overlook. My work involves the meticulous collection and repurposing of recycled materials—fabric collage, paper print, acrylic, wood, and metal scrap—to create art that speaks to the resilience of both the environment and the human spirit.

Each piece I create is a dialogue between the past and the present, combining elements that have lived previous lives into new, cohesive forms. The fabric collages in my work carry the textures and patterns of their origins, each thread telling a story of its own. These textiles, once discarded, find new purpose and beauty in my art.

Paper prints, sourced from old books, magazines, and ephemeral printed matter, introduce layers of narrative and history. These fragments of text and imagery bring additional depth and context, inviting viewers to piece together the stories they hold.

Wood and metal scrap are integral to my practice, not only for their physical properties but for the metaphoric weight they carry. Reclaimed wood, with its weathered surfaces and ingrained history, speaks to the passage of time and the beauty of natural imperfection. Metal scrap, with its industrial origins, provides a stark contrast and highlights the tension between the organic and the manufactured.

Acrylic paint is the unifying medium that ties these disparate elements together, adding vibrant color, texture, and movement to each piece. It allows me to integrate these recycled materials into a cohesive whole, transforming what was once considered waste into a vibrant expression of creativity and sustainability.

My work is a testament to the potential for renewal and transformation. It challenges the viewer to reconsider the value of discarded objects and to see the inherent beauty in materials that have been cast aside. Through my art, I hope to inspire a greater appreciation for sustainability and the endless possibilities that lie in reimagining the world around us.

In creating these works, I am not just making art; I am making a statement about the interconnectedness of all things and the importance of thoughtful consumption and creative reuse. My art is a celebration of resilience, both in the materials I use and the stories they tell.

How it fits into contest

The artwork is a celebration of sacred union, where individuality is not dissolved but transformed into a richer, shared life. The two figures stand as living testaments to separate histories, yet their contours bend toward each other in trust, creating a single, breathing silhouette of covenant love. Their embrace suggests that true unity is not hurried fusion, but a slow, intentional yielding of self to another, rooted in grace.Every pattern within the bodies carries the weight of story ancestry, wounds, victories, prayers, and dreams woven like spiritual DNA into the fabric of the relationship. The intricate textures refuse uniformity, reminding the viewer that partnership does not demand sameness. Instead, difference becomes a gift, adding depth, rhythm, and unexpected harmony to the shared design. The result is a tapestry where color and line testify that love does not erase what came before; it gathers it, heals it, and reorients it toward a common future.Around the figures, the surrounding motifs pulse like a spiritual atmosphere, hinting at unseen realities that sustain their union. The vibrant background suggests community, history, and the presence of God, all witnessing and holding this bond together. In this space, unity is not a private escape but a calling lived out before heaven and earth, reflecting the divine heartbeat of connection.The posture of the figures leaning in rather than standing apart echoes the invitation of Matthew 19:6, where two become one flesh by God’s own act. Their closeness speaks of a unity that is physical, emotional, and spiritual, a oneness that cannot be reduced to romance alone. Here, God is the unseen Artist, the One who joins, seals, and sanctifies, turning ordinary affection into covenantal love that can endure storms. What God weaves is not fragile sentiment but a purposeful, resilient union that grows stronger as each

Credits

Holy spirit

How to Purchase this Artwork

$10000

Other Goods & Services Available from this Artist

Oluseyi.ongrounds on Instagram and www.oluseyisoyege.com

Submit Your Artwork Today!

The 2026 Engage Art Contest will be accepting new artwork in January 2026!